This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.
Über den Autor Barry Keith Grant
Barry Keith Grant is professor emeritus of film studies and popular culture at Brock University, Ontario, Canada and an elected Fellow of the Royal Society of Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Shadows of Doubt: Negotiations of Masculinity in American Genre Films (2010), 100 Science Fiction Films (2013), and 100 American Horror Films (2022). His edited books include Film Genre Reader I, II, III, and IV (1986, 1995, 2003, and 2012), The Dread of Difference: Gender in the Horror Film (1996), and Notions of Genre: Writings on Popular Film before Genre Theory (2016).