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Negotiations of Masculinity in American Genre Films
Autor: Barry Keith Grant
CHF 55.50
ISBN: 978-0-8143-3457-7
Einband: Kartonierter Einband (Kt)
Verfügbarkeit: Folgt in ca. 5 Arbeitstagen
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In Shadows of Doubt: Negotiations of Masculinity in American Genre Films, Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide range of genre films, including comedies, musicals, horror, science fiction, westerns, teen movies, and action films. In ten chapters arranged chronologically according to the films discussed, Grant provides a series of close analyses of such disparate films such as Broken Blossoms, The Fatal Glass of Beer, Red River, 2001: A Space Odyssey, Night of the Living Dead, and The Hurt Locker to demonstrate that representations of masculinity in the movies involve a continuous process of ideological testing and negotiation. While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them. Always attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.

Autor Grant, Barry Keith
Verlag Wayne State University Press
Einband Kartonierter Einband (Kt)
Erscheinungsjahr 2010
Seitenangabe 258 S.
Lieferstatus Folgt in ca. 5 Arbeitstagen
Ausgabekennzeichen Englisch
Abbildungen Paperback
Masse H22.9 cm x B15.2 cm x D1.5 cm 379 g

Über den Autor Barry Keith Grant

Barry Keith Grant is professor emeritus of film studies and popular culture at Brock University, Ontario, Canada and an elected Fellow of the Royal Society of Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Shadows of Doubt: Negotiations of Masculinity in American Genre Films (2010), 100 Science Fiction Films (2013), and 100 American Horror Films (2022). His edited books include Film Genre Reader I, II, III, and IV (1986, 1995, 2003, and 2012), The Dread of Difference: Gender in the Horror Film (1996), and Notions of Genre: Writings on Popular Film before Genre Theory (2016).

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