Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality-a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor-permeating all writing processes.
Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.
Über den Autor Cristina Rivera Garza
Cristina Rivera Garza is the award-winning author of The Taiga Syndrome, The Iliac Crest, among many other books. Her memoir, Liliana's Invincible Summer, won the Pulitzer Prize and was a finalist for the National Book Award. A recipient of the MacArthur Fellowship and the Sor Juana Inés de la Cruz Prize, Rivera Garza is the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and director of the PhD program in creative writing in Spanish at the University of Houston.