No Spider Harmed in the Making of This Book

David Mathews is one of the winners of the Solstice Shorts Festival Short Story Competition. His story in Solstice Shorts: Sixteen Stories about Time is Wednesday Afternoon. For 35 years David was a work psychologist. That gave him a license to mind other people's business. He comes from Wales and lives in Bath and SW France. Recently his collection of short stories was shortlisted for the Impress Prize, Brittle Star magazine published his story 'Florence, who made mustard', and Audio Arcadia are currently recording 'Removed' about a man who looks for stones. Sarah Lawson was born in Indiana and educated at Indiana University and Glasgow University, but has lived in London since before decimalisation. Her poems, translations, and book reviews have been published widely. Her translation of Christine de Pisan's Treasure of the City of Ladies (1406) was its first English translation (Penguin Classics). Her translation of Moratín's El sí de las niñas was performed at the Prince Theatre in Greenwich, and her own play, 'Gertrude, Queen of Denmark', a feminist take on Hamlet, was performed at the Lion and Unicorn in Kentish Town. Her poetry collections are Below the Surface (Loxwood Stoneleigh, 1996) and All the Tea in China (Hearing Eye, 2005); Hearing Eye has also published her pamphlets, Twelve Scenes of Malta and Friends in the Country, and a haiku collection, The Wisteria's Children (2009). Sarah has a poems in The Other Side of Sleep and No Spider Harmed in the Making of this Book, and a short story in Departures Sarah is one of six poets featured in Vindication. Kate Foley is a widely published, prize-winning poet and former president of Suffolk Poetry Society. She has read in many UK and European locations. Her first collection, Soft Engineering was short listed for best first collection at Aldeburgh. Her working life has ranged from delivering babies to conserving delicate archaeological material. She became Head of English Heritage's scientific and technical research laboratories. Although she has always written poetry it wasn't until she gave up the day job that she began to publish more widely. She now lives with her wife, between Amsterdam and Suffolk, where she performs, writes, edits, leads workshops and whenever possible works with artists in other disciplines.